Imagine a documentary about a not-even-close-to-successful 1960s boy band, suffused with Frank Capra’s reverence for his underdog characters’ humanity and Rod Serling’s affection for the surreal, and you’ve got Mountain Theatre Company’s latest confection, Forever Plaid.
Under the inspired direction of Jonathan VanDyke, the show is a loving tribute to the close-harmony “guy groups” of the 1950s and 60s. The story unfolds with warmth and whimsy as the Plaids – Frankie, Sparky, Jinx, and Smudge – navigate their second shot at stardom, complete with charming choreography, awkward banter, and pitch-perfect renditions of golden oldies.
In this radiant production of Forever Plaid, the story of four young men returning from the afterlife for one last shot at musical glory unfolds with warmth, wit, and irresistible harmony. The Plaids bring their long-lost dreams to life through a nostalgic revue of 1950s classics, each number revealing a new facet of their personalities and vocal prowess.
The show opens with the lush “Three Coins in the Fountain,” led by Kyle Channell’s Frankie, whose velvety tone sets a romantic, wistful tone. Channell’s voice anchors the group with a natural ease, especially in “Heart and Soul,” where his phrasing evokes both longing and joy.
Emanuel Carrero, as Jinx, dazzles in “Cry,” his soaring falsetto capturing the emotional vulnerability of a young man finally finding his voice. His duet work in “No, Not Much” is equally moving, blending seamlessly with the ensemble while still standing out for its clarity and control. In my review of MTC’s Jersey Boys, I dubbed him “Highlands’ Frankie Valli,” but I now see that I was selling him far short of his abilities.
Terrence McQueen’s Sparky brings the house down with “Perfidia,” a number that lets his charisma and comic timing shine. His playful energy is infectious, and in “Catch a Falling Star,” he adds just the right touch of whimsy to the group’s polished harmonies.
As Smudge, Cooper McConnell Shaw grounds the quartet with a rich baritone, particularly in “Sixteen Tons,” where his delivery adds gravitas and grit. His chemistry with the others is subtle but essential, giving the group its emotional depth.
The live musical trio – Jack Hopper on bass, Dan Knowles on drums, and Matt Molesworth on piano – provides a rich, retro soundscape that elevates every number. Their accompaniment is both precise and playful, echoing the show’s spirit of joyful revival and their abrupt saunter offstage due to a union-mandated break is the definition of comic insouciance.
VanDyke’s direction ensures that every moment, from the comic to the poignant, lands with clarity and charm. The result is a production that feels tailor-made for our mountain community –intimate, uplifting, and full of heart.
For those who cherish the magic of live performance and the timeless appeal of harmony, Forever Plaid is a must-see. Mountain Theatre Company once again proves that great storytelling and great music never go out of style.
Forever Plaid will be staged through July 13. Visit mountaintheatre.com or call (828) 526-2695 for tickets and information.
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